‘Mandalorian’ Spinoff ‘Book of Boba Fett’ Gets December Premiere Date | THR News

The streamer has set a Dec. 29 premiere date for ‘The Book of Boba Fett,’ a spinoff of ‘The Mandalorian’ that follows the bounty hunter, played by Temuera Morrison. The series was teased in a post-credits scene in ‘The Mandalorian‘’s second-season finale.

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https://www.hollywoodreporter.com/tv/tv-news/mandalorian-spinoff-book-boba-fett-premiere-date-1235022518/

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‘Mandalorian’ Spinoff ‘Book of Boba Fett’ Gets December Premiere Date | THR News

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Mark Hamill Loves Those ‘Mandalorian’ Fan Reaction Videos | THR News

It meant a lot to Mark Hamill to play Luke Skywalker one more time in the season two finale of ‘The Mandalorian.’ But fans’ reaction to the top-secret reveal meant even more.

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https://www.hollywoodreporter.com/tv/tv-news/mandalorian-reaction-videos-melted-mark-hamill-heart-1235004298/

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About: The Hollywood Reporter (THR) is the entertainment industry’s flagship media brand, offering in-depth reporting, analysis, unparalleled access, world-class photography and video, and feature exclusives in its award-winning weekly magazine and dynamic website. The Hollywood Reporter also boasts prestigious live events, industry-leading philanthropic, empowerment and diversity initiatives and hugely successful video series.

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Mark Hamill Loves Those ‘Mandalorian’ Fan Reaction Videos | THR News

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Inside ‘The Mandalorian’: Cinematographer Barry Baz Idoine Takes Us Inside Their Virtual Set

Barry Baz Idoine talks VFX behind “The Mandalorian”. Adding that one of his main inspirations is the veteran Japanese cinematographer Kazuo Miyagawa, Idoine discussed the challenges and opportunities presented during the making of “The Jedi” episode in Season 2. One of the biggest advantages he had was the VFX studio created by ILM StageCraft — an elaborate virtual background (which they also implemented in the first season) that can conjure up just about any alien landscape they can dream. The advantages to this technology are practically limitless, including holding “magic hour” for as long as the director of photography needs.

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